New York 2022-

Taylor describes his process for this body of explorative abstract works as the creating of numerous ‘paint events’ on his surfaces, joined and assembled by way of Bricolage– a cohesive placement of apparently disparate elements. 

Colour is the primary subject; the ways in which it interacts becomes the basis of the artworks form. Taylor employs spontaneous and varied markmaking to capture the intriguing interplay that arises between his mediums and the picture plane.

Moments within the work unfold as individual problems to be solved and eventually connected to the whole. Shapes and forms are blurred and obscured, suggesting both object and environment, with a balance of impulse and intention used to construct the image.

The completed compositions suggest a converging of ethereal chromatic forms as they emenate from, or dissolve into, some other dimensional landscape.